Polish painter and photographer Iwo Zaniewski tells me how his personal and cultural history are embedded in his works, whether he believes there are limits to human creativity, and which work of art he would erase from his mind just to experience it for the first time.
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An interview with Desmond Clarke, an artist and composer based in Yorkshire who uses python and a plotter to create algorithmic art.
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Nil and Karin Romano are twin female painters based in Tel Aviv, whose work is “an opportunity to narrate a story of their inner world”.
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Kamil Czapiga aka Cosmodernism is an artist based in Poland who creates his works using ‘creative microscopy’ and macro photography…
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I talk to Noah Saterstrom, a painter who uses art as image research on the disappearance of his great-grandfather, Dr Smith.
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This week I talk to Jan Bautista, an Illustrator originally from Luna, La Union, who now lives in Manchester, UK. His practice is “driven by fleeting feelings, translating sensitive narratives to familiar illustrations”.
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Chantel King speaks of her experience as a black female in the photography industry, the POC in the beauty and fashion world whom she thinks are due more attention, and what she perceives to be the value of being “fashionable”.
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I was thinking about what it means to be lost but still know where you are; am I emotionally lost, does being lost imply distance? Is the tool I’m using the find my way actually making me more lost? Jack Sutherland The following interview forms part of a series where I invite a number of…
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I talk to Matt Bannister, an artist and illustrator based in London, “obsessed with the quirks and shapes of architecture, people, and everyday objects”.
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I talk with Amaia Marzabal, whose paintings explore human relationships and share a message which “helps people with their own reflections about society, stereotypes and social rules”.
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MURUGIAH’s works are described as “surreal, joyful, loud and unapologetic”. His exploration in colour is partly a drive towards understanding his Sri Lankan heritage; having previously expressed his feeling as a “conduit” between Sri Lankan and British cultures, I wondered how he experiences that, how it is expressed in his works, and what it took for him to be truly unapologetic as an artist.
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Oliver Lunn is a London-based artist from southeast England. His mixed media collage works are composed of materials “charged with history” – old found papers and magazines – manipulated and reconstructed in a process of layering, cutting, erasing and peeling back. Through this medium he “externalises the internal”, exploring new methods of refinement, down to “fragments of fragments”.
In this interview, Oliver elucidates the many influences behind his process, including an unrelenting “artistic restlessness”. The pieces shown below were ones selected by Oliver on the basis that they highlight themes touched on in our interview. He has “ordered them in a way where they complement one another – space vs chaos, colour vs calm”.
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