I talk to Jack Coulter, an Irish artist whose paintings capture his experience of synaesthesia (seeing sound). He tells me which artwork of his stands out as being particularly meaningful to him, which harsh truths he prefers to ignore as an artist, and whether or not he believes there are limits to human creativity.
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This week I talk to Susan Aldworth, a visual artist exploring philosophy of consciousness and the sense of self through a series of etchings and prints made from brain scans.
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An interview with artist Alex McLeod, whose animations, prints, and sculptures are “concerned with simulation and transition”.
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Artist Rebecca Munce delves into exactly what she means by artistic vulnerability, whether she believes there are limits to human creativity, and which work of art she would erase from her mind, just so she could relive experiencing it for the first time.
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Ian Bertolucci tells me how they perceive new Hollywood, their experience as a non-binary person in the art world, and what it means to them to be truly authentic as an artist.
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This week I talk to Connor Tudor, an artist from Manchester whose paintings “stem from an interest in British Pub culture, utilising still life paintings as a way to form narratives around British cultural issues and values.”
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I talk to Matt Bannister, an artist and illustrator based in London, “obsessed with the quirks and shapes of architecture, people, and everyday objects”.
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Anne Desmet tells me which alternate material she would wish to master, what it means to her to be vulnerable as an artist, and which work of art she would erase from her mind if she could, just to experience it again.
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Cody Ellingham is an architectural photographer and art director from New Zealand. With his ongoing project, DERIVE, he explores the world’s nocturnal cities, “when things take on new forms”. In this interview, he lets on to how he finds meaning in his process, and what it is about night time he finds so enticing to capture.
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