“Sometimes, seeing the stunning reflection of light in the windshield of a passing car may turn out to be the most beautiful thing that will happen to us in the most unexpected moment. We have to be watchful and keep our eyes wide open.”
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psychotherapy & contemporary arts magazine
“Sometimes, seeing the stunning reflection of light in the windshield of a passing car may turn out to be the most beautiful thing that will happen to us in the most unexpected moment. We have to be watchful and keep our eyes wide open.”
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“In this mode, you can play only one note, but this one note comes really from within yourself and it just works… nothing is missing, because you are totally authentic… these are the moments I always strive to reach…”
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“The vulnerability you show as an artist should be a bridge that listeners can reach you by… If you can stand in front of the world and admit to your own powerlessness, it’s like a baptism in a way.”
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“Maybe if all my memories were erased, I would be the kind of artist I am? One who spends every day looking at family photographs for evidence of life’s details and trying to close the gap of time.”
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“The very atmosphere that I try to create in my practice – things coming and going, feelings of temporality. That emotion you are feeling in the now that will inevitably pass…”
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“In my 10-year industry experience I have never worked with a black photographer and that speaks volumes…”
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“Art truly saved my life; I owe everything to it. Allowing myself to be vulnerable at that time is what kept me alive, I channelled it even in that state. Vulnerability can shift into power.”
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“I was thinking about what it means to be lost but still know where you are; am I emotionally lost, does being lost imply distance? Is the tool I’m using the find my way actually making me more lost?”
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“Working with a human brain was a transformative and emotional experience. The images revealed themselves gradually… and the prints, although taken from a dead cross-section, seemed to expose a consciousness at work.”
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“I was so obsessed with the ‘honesty’ of the work that I would never tell even the littlest of lies in any circumstance (even out of kindness) because I feared that the dishonesty would seep into my work…”
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“Franz Kline once said to Philip Guston in a conversation “You know what creating really is? To have the capacity to be embarrassed”, which I think is absolutely true. You need that capacity to just keep painting with a reckless abandon…”
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“The natives believed that photography steals part of the soul. Photography steals but gives back in a new way, lightening parts of the soul, making them visible…”
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