“Art truly saved my life; I owe everything to it. Allowing myself to be vulnerable at that time is what kept me alive, I channelled it even in that state. Vulnerability can shift into power.”
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psychotherapy & contemporary arts magazine
“Art truly saved my life; I owe everything to it. Allowing myself to be vulnerable at that time is what kept me alive, I channelled it even in that state. Vulnerability can shift into power.”
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“I think simulation is interesting… simulating materials found in the real world for my art. I suppose it serves as a touchstone to reality, something that lets you ground yourself before getting lost.”
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“The natives believed that photography steals part of the soul. Photography steals but gives back in a new way, lightening parts of the soul, making them visible…”
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“My work is made with what I can only describe as love – the marks I engrave all need to be considered and crafted… I hope that the time they take and the thoughts and ideas that go into them somehow build their own depth and quiet power…”
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“Buildings are like anchors in time. The structures and their form are a constant manifestation that passes through the years rooted in place… We can perform archaeology on buildings in a way that we cannot do with memories.”
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“I realized my art opened some personal doors that connected me with my past emotions and that questioned me… And that meant a big healing process for me.”
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“To be unapologetic as an artist is to truly explore things that you feel very personal to and not really care what anyone else thinks… In terms of what did it take? A lot of life experience and therapy haha!”
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“I really do think the ambiguity lends a lot to my work… if I were to lean too heavily on the research behind [it], I’m in danger of over-intellectualizing and disappearing ever so gracefully up my own arse.”
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