psychotherapy & contemporary arts magazine
“I’ve been slowly working on a series focusing on folks reaching enlightenment in Walmart… The subjects are like the Buddhist image of the lotus which rises from muddy dirty waters without a speck of dust adhering to it as it proceeds to bloom pristine.”
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“I was thinking about what it means to be lost but still know where you are; am I emotionally lost, does being lost imply distance? Is the tool I’m using the find my way actually making me more lost?”
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“I genuinely enjoy noticing something like weeds growing through the paint of a double yellow line on the road – these beautiful, almost poetic details are everywhere and are strangely uplifting and reassuring if you take time to see them.”
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“I realized my art opened some personal doors that connected me with my past emotions and that questioned me… And that meant a big healing process for me.”
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“To be unapologetic as an artist is to truly explore things that you feel very personal to and not really care what anyone else thinks… In terms of what did it take? A lot of life experience and therapy haha!”
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“I really do think the ambiguity lends a lot to my work… if I were to lean too heavily on the research behind [it], I’m in danger of over-intellectualizing and disappearing ever so gracefully up my own arse.”
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“I am constantly searching for something… It’s like a scratch I can’t itch. It’s a constant searching and refining. It’s a search for perfection, where the search is the driving factor, the perfection less important.”
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“The audience is a huge part of my work. There’s a real sense of exclusivity in the art world with conceptual art distancing itself from the masses. I hate this bubble. I want everyone, not just those in the art bubble, to appreciate my paintings.”
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repsychl 